Founded in 1972 as a chapter of the Neue Bachgesellschaft, the American Bach Society supports the study, performance, and appreciation of the music of Johann Sebastian Bach in the United States and Canada.
Information on membership is available here, along with a short history of the Society and information on its administration.
On this site you can also find links to other Bach organizations and to Bach festivals, as well as a small selection of interesting Bach illustrations.
December 9, 2017
Bach Perspectives 11: J. S. Bach and His Sons, published by the University of Illinois Press, is now available. The volume, edited by Mary Oleskiewicz, features contributions by Robert L. Marshall, Oleskiewicz, David Schulenberg, Evan Cortens, and Christine Blanken. For more information, please see our page on the series.
November 8, 2017
We’re pleased to announce the publication of Bach Notes no. 27 (Fall 2017). This issue features an interview about the new leadership at the Riemenschneider Bach Institute, an announcement for our upcoming conference at Yale, an article about a new film about Zuzana Růžičková, a conference report on “Bach in the Age of Modernism, Postmodernism, and Globalization,” and member news. Read more…
October 4, 2017
The American Bach Society is pleased to announce the establishment of the Francis Alford Brokaw Grant, a grant of $750.00 is awarded annually to an undergraduate student to provide support for research at the Riemenschneider Bach Institute (RBI) at Baldwin Wallace University in Berea, OH, on projects relating to Bach or figures in his circle. Grants will be awarded for research to be completed during the calendar year 2018. To apply, please send your research proposal and the letter of reference by December 31, 2017, to Andrew Talle at andrew.talle (at) northwestern.edu. Awards will be announced in January of 2018. Read more…
September 17, 2017
The American Bach Society invites submissions for consideration for Bach Perspectives 13, an essay collection on the theme of “Bach Reworked—Parody, Transcription, Adaptation.” Papers on all aspects of the subject are welcome, and will be selected after peer review for publication in 2020. Potential topics include Bach’s adaptations of music by other composers; his transcriptions and parodies of his own works; similar reworkings by other composers in the Bach circle; and the use of Bach’s music by composers of the 19th, 20th, and 21st centuries.
Submissions should be approximately 6000 words and should be sent in electronic form to Laura Buch (lbuch [at] fas.harvard.edu) by 1 April 2018. Information on the series is available at americanbachsociety.org/perspectives.html.